MARTHE KELLER
39 Walker St, NY, NY 10013  
212-431-6923 
marthe@keller.com  
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ONE PERSON EXHIBITIONS 

  • 2017
    • SeeingThrough/VedereAttraverso, Casa Italiana Zerilli Marimo`NYU, NY (two-person), Elisabetta Longari, Curator, Catalog 
  • 2013
    • The Coach with Six Insides, Queens College Klapper Gallery, Flushing, NY
  • 2012 
    • rain kiss on me back, Garrison Art Center, Balter Gallery, Garrison, NY
  • 2011
    • Marthe Keller, New Arts Program, Kutztown, PA
    • Marthe Keller, Northhampton Community College, Northhampton, PA
  • 2009
    • Corso Ricorso IV, GB Kunst, Galerie Palais Walderdorff,Trier, Germany Catalog
    • Corso Ricorso III, St Stephen’s Cultural Center Foundation, Rome, Italy
  • 2008
    • Corso Ricorso II, Studio Fontaine, Viterbo, Italy
    • Corso Ricorso I, Miralli Gallery, Palazzo Chigi, Corso Ricorso II, Studio Fontaine, Viterbo, Italy
  • 2005
    • Soho Myriad, Featured artist, Atlanta, GA, curator Sarah Hall
  • 2002 
    • Fold Color Replay, Rosenberg + Kaufman Fine Art, 30 West 57th St, NY
  • 2000
    • Marthe Keller and Karen Shaw, Conversation, Art Resources Transfer, NY, (two-person)
  • 1999
    • Atrium Gallery, University of Connecticut, Storrs, CT, Saul Ostrow, Curator
  • 1998
  • 1997
    • Rosenberg + Kaufman Fine Art, NY
  • 1994
    • Halsey Gallery, College of Charleston, Charleston, SC Catalog
    • Turchetto Gallery, Via Mercadante 3, Milan, Italy
  • 1993
    • Stephen Rosenberg Gallery, 115 Wooster St, NY, Catalog
  • 1992
    • Stephen Rosenberg Gallery (two-person) Catalog
  • 1991
    • Galleria Plurima, Udine, Italy
  • 1986,7,8,9
    • Stephen Rosenberg Gallery, NY Catalog
  • 1982
    • Whitaker Foundation Museum, Palermo, Italy Catalog
  • 1978
    • Albuquerque Arts Center, University of New Mexico, Albuquerque, NM
  • 1976
    • John Hopkins University, Baltimore, MD
  • 1974
    • Lepofsky Gallery, Baltimore, MD

GROUP EXHIBITIONS 

  • 2018
    • Blurring Boundaries: The Women of American Abstract Artists, 1936-Present, Rebecca DiGiovanna, curator. Clara M. Eagle Gallery, Murray State University, Murray KY, September. University of Tennessee, Knoxville TN, November
    • Art of the Print and works on paper, The White Gallery, Lakeville, CT, through Sept 9
    • Joseph Zito Plus Ten, Lennon Weinberg Gallery, NY, through August 17
  • 2017
    • The Greatest Show on Earth, Sideshow Gallery, Brooklyn, NY
  • 2016
    • BAND, The Painting Center, NY, curator Stephanie Buhmann (catalog)
    • Gerald's Hitshow: 21st Century Abstract Painting & Sculpture, Rush Arts Gallery, NY, curator Gerald Jackson
    • Chromatic Space: American Abstract Artists, Shirley Fiterman Art Center, NY, curator Jonathan D. Lippincott
    • Tower of Babel, Schema Projects, Brooklyn, NY, traveling to Tel Aviv, Israel, and Perugia, Italy
    • The Better Half, Die bessere Halfte, Stadtmuseum Simeonstift Trier, Germany, curator Alexandra Orth
    • The Onward of Art AAA 80th Anniversary, USB Gallery, NY, curator Karen Wilkin, catalog
    • Visible Histories: AAA 80th Anniversary, Morris Warren gallery, NY, curator Maxim Weintraub 
    • Through the Rabbit Hole, Sideshow Nation IV, Brooklyn, NY
    • Thebes Sphinx Festival, Conference center of Thiva, Thebes, Greece, Dores and Rose Sacquegna curators
  • 2015
    • Circle the Wagons!!! , Sideshow Nation III, Brooklyn, NY 
    • AAA 75th Anniversary Print Portfolio, Vanderbilt University Fine Arts Gallery, Nashville, TN
    • Sensory Impact, AAA at Morgan Stanley International, Purchase, NY 
    • A View From Camargo: BAU Institute, FiveMyles Gallery, Brooklyn, NY, curator Saul Ostrow
  • 2014 
    • Forces at Play, Gallery Molly Krom, NY, NY, Catalog Essay, Susan Larsen
    • Freak Flag, Brian Morris Gallery Midtown, NY, NY, curator Kim Uchiyama
    • Feral Objects, Creon gallery, NY, NY Curated by Peggy Cyphers with Lucio Pozzi, April 16 to May 14
    • Girl Band: Abstraction Rooted in Line and Color, Muhlenberg College, PA, Curator Stephanie Buhmann
  • 2013  
    • Physical Property, Brian Morris Gallery, 163 Chrystie St, NY, Curated by Kim Uchiyama, Nov 7- Dec 7
    • AAA at Kent State, Curated by Gianna Commito and Scott Olson, Oct 22 - Nov 22
    • AAA 75th Anniversary Print Portfolio, Ewing Gallery, UT School of Art, University of Tennessee, Knoxville  
    • stronger than fear is hope, Schmalfuss Berlin Contemporary Fine Art, Berlin, Germany
    • Anonymous Drawings 2013, Kunstverein Tiergarten, Gallerie Nord, Berlin, Germany 
    • Sideshow Nation, Sideshow Gallery, Williamsburg, Brooklyn, NY
    • 2012 - AAA International 75th Anniversary, paris CONCRET, Paris, France 
    • MIC CHECK:Occupy, Sideshow Gallery, Williamsburg, Brooklyn, NY
    • 2011-12 - FLUID, (3-person) Delaware Center for Contemporary Arts,Bieber Ham Gallery, Wilmington, DE 
  • 2011
    • American Abstract Artists 75th Anniversary Exhibition , OK Harris Works of Art, NY
    • Splendor of Dynamic Structure, Herbert F Johnson Museum, Ithaca, NY, curator, Nancy E Green, (review)
    • FLUID, (3-person)Towson Univ. Center for the Arts Gallery,Towson MD, curator Susan Isaacs
    • It’s All Good !!, apocalypse now, Sideshow Gallery, Williamsburg, Brooklyn, NY
  • 2010
    • AAA International “L’astrazione vista da un cosmopolita”, Aragonese Castle, Otranto, Italy. 
    • Anonyme Zeichner N°10, Bluntenwiess, Berlin, Germany, curator, Anka Becker
  • 2009
    • Dialoghi D’Accanto, Studio Fontaine, Viterbo, Italy, curator, Federico Sardella
    • Linked: Small works, BIG IDEAS, Heskin Contemporary, NY, NY, curator Jennifer Riley
  • 2008
    • No Chromophobia, OK Harris Works of Art, NY, NY, curator Richard Witter
    • Echo, Implant, Imprint, Reverb, Frederieke Taylor Gallery, NY, curator Stephen Maine
    • American Abstract Artists Tribute to Esphyr Slobodkina, The Painting Center, NY
    • Peace, Sideshow Gallery, Williamsburg, Brooklyn, NY
  • 2007
    • Material Matter, Sideshow Gallery, Williamsburg, Brooklyn, NY, curator Kat Griefen
    • Contrappunto, BAU Institute Gallery, Hudson, NY, curator Marina Urbach.
  • 2006
    • Material Sign, Florence Lynch Gallery, NY, f­­our-person exhibition, curator Stephen Westfall
    • Winter Salon, Lesley Heller Gallery, NY
    • WAR IS OVER, Sideshow Gallery, Williamsburg Brooklyn, NY
  • 2005
    • Optical Simulations, Yellow Bird, Newburgh, NY, curator Jill Conner
    • Diva on view 1998-2004, New Aquisitions, Metropolitan Museum of Art, NY, NY
  • 2004-5
    • Merry–Peace, Sideshow Gallery, Williamsburg Brooklyn, NY
  • 2004
    • Intersections, Douglas Elliman TriBeCa Gallery, N Y, NY, Ruth Hardinger & Michael Norton, curators
    • Diva, painting on view 1998-2004 in the collection of the Metropolitan Museum of Art, New York, NY
  • 2003  
    • Eleven Painters Eleven views of Abstraction, Chiaroscuro Contemporary Art, Santa Fe, NM 
    • MORE, Mpercent, Cleveland, OH.
  • 2002-3
    • Les Fables de La Fontaine, Centre pour l’Arte et la Culture, Aix-en-Provence, France and USA tour
  • 2001
    • 21st Century Suffragettes, Sideshow, Williamsburg, Brooklyn, NY (July), Merry
  • 2000
    • Toward the New: American Abstract Artists, Hillwood Art Museum, Brookville, NY
    • Hunter College Art Department Faculty Exhibition, Times Square Gallery
    • Irresolution, Painting and Photography, Rosenberg + Kaufman, NY
    • Women and Geometric Abstraction, Rubelle and Norman Schaffler Gallery, Pratt Institute, Brklyn, NY
  • 1999
    • Women and Geometric Abstraction, Pratt Institute Gallery, NY
  • 1997
    • After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Lilly Wei curator, catalog
    • Better Color Through Chemistry, Islip Art Museum, NY, Karen Shaw curator
    • Abstraction Index, Condeso/Lawler Gallery, organized by Vincent Longo and Laura Sue Philips
  • 1996
    • Kunstart, Bockenheimer Depot, Frankfurt/M, Germany, Miki Bunge, curator, catalog, CD Rom
    • Dots and Lines, 8th Floor Gallery, NY, Theresa Chong curator
    • Pioneers of Abstract Art: American Abstract Artists, 1936-96, Mishkin Gallery, Baruch College Sandra Kraskin, curator
    • Jan Maiden Fine Art, Columbus, OH.
  • 1995
    • Semaphore: Placing the Mark, Art Initiatives and Bill Bace
    • Basic Marks: black & white paintings, Rosenberg + Kaufman Fine Art, NY
  • 1994
    • Art in Embassies Program, Smithsonian Institution, American Mission, Vienna, Austria.
    • The Persistence of Abstraction, American Abstract Artists, Noyes Museum, Oceanville, NJ
  • 1993
    • Drawings From 55 Ferris Street, Werner Kramarsky, NY and Jessica Berwind Gallery, Phila, PA
    • Structure, Lilian Heidenberg Gallery, NY, Hugh Keenan, curator
    • Family Ties, Krasdale Foods Gallery and Lehman College, Westchester, NY
    • 55 Ferris Street, Brooklyn, NY, Frederieke Taylor, Joe Zito curators, catalog
  • 1992
    • Vertical Slice, Cummings Art Center, Connecticut College, New London, CT
    • The Persistence of Abstraction, Edwin A. Ulrich Museum of Art, Wichita, KA, catalog
    • Galleria Plurima, Udine and Milan Italy
  • 1991
    • Paper Trail, Stephen Rosenberg Gallery, NY
    • Conlon Gallery, Santa Fe, NM
  • 1990
    • Surface and Light, Stephen Rosenberg Gallery NY, Fran Kaufman curator.
    • American Abstract Artist’s Exhibition, 55 Mercer Gallery, NY
  • 1989
    • Abstract Painting, Illinois Center Gallery, Chicago, IL, Dennis Adrian curator
    • Contemporary Abstract Drawing, Stephen Rosenberg Gallery, NY
  • 1988
    • Formal, Dart Gallery, Chicago, IL, Lance Kinz curator, catalog, Essay, Joseph Masheck
    • Partners Gallery, Bethesda, MD
    • The Gold Show, Genovese Gallery, Boston, MA
    • Altar/Alter, Carlo Lamagna Gallery, NY, Ken Tisa curator
  •  1986
    • Line Drives, Gallery 53, Cooperstown, NY, William Zimmer curator
    • One and One, Stephen Rosenberg Gallery, NY
    • Collectors Gallery XX, McNay Art Museum, San Antonio, TX
  •  1985
    • Abstract Presence, Defacto Gallery, NY
    • 9 Americans, 26 Federal Plaza, NY, curated by Hirondelle Gallery
    • Small Works, New Abstract Painting, Williams Center for the Arts, Easton, PA and Muhlenberg Gallery Allentown, PA, Hudspeth & Janowich curators
  • 1984
    • Fourth Annual, John Davis Gallery, Akron, OH
    • 17 Artists’ Installations, Directions on Broadway, NY
    • A More Store, Jack Tilton Gallery, NY
    • Making Marks, Works on Paper, 22 Wooster Gallery, NY
  •  1983 
    • Three Artists, Directions On Broadway, NY

PUBLIC COLLECTIONS  

  • Brooklyn Museum, print collection, Brooklyn, NY
  • Metropolitan Museum of Art, NY, NY (painting, Diva, on view from 1993 to 2005)
  • Museum of Modern Art, print collection, NY, NY
  • Whitney Museum of American Art, print collection, NY, NY
  • British Museum, Dept. of Prints, London, England 
  • Fogg Art Museum, print collection,Harvard University, Cambridge, MA
  • Pollock Gallery, Southern Methodist University, Dallas, TX
  • US Embassy, Beijing Embassy Annex, Beijing China
  • AAA 75th Anniversary Print Portfolio
  • San José Museum of Art, San José, CA
  • New Jersey State Museum, Trenton, NJ 
  • Progressive Corporation Collection, Cleveland, OH 
  • Princeton University, Rare Book Collection, Princeton, NJ
  • The Parrish Art Museum, South Hampton, NY
  • University of Richmond Museum, The Joel and Lila Harnett Print Study Center, Richmond, VA
  • The Mississippi Museum of Art, Jackson, MS
  • American Mission, Ambassador, Vienna, Austria
  • Prudential Corporation Collection, NJ
  • Whitaker Foundation Museum, PA.
  • Food Italia, S.R.L, Rome, Italy
  • Barbara Guggenheim Inc., New York, NY
  • Concentric Associates, Inc., NJ
  • Pharmaceutical Peptides, Inc. Cambridge, MA
  • TFX Industries, Plymouth Meeting, PA
  • J. Robert Scott, Los Angeles, CA

AWARDS 

  • 2016
    • PSC/CUNY Professional Development Grant, City University of New York
  • 2010-09
    • PSC/CUNY Professional Development Grant, City University of New York
  • 2008
    • Publication Grant, Fifth Floor Foundation, NY, NY
  • 2007
    • Residency Award, Greenberger Foundation, NY
    • Presidential Travel Grant, Dept of Arts and Sciences, Hunter College, CUNY, NY
  • 1998
    • Guest Artist, Ceramics Department, Hunter College, NY
    • Presidential Travel Grant, Dept of Arts and Sciences, Hunter College, CUNY, NY
  • 1997
    • Guest Artist, Women and Minority Print Program, Ringling School, FL
  • 1990
    • Fellowship, The Mac Dowell Colony, July/August  1989 and 1990
  • 1989
    • Fellowship, NEA, National Endowment For the Arts, 1989/90
    • Fellowship, NYFA, New York Foundation For the Arts, 1989/90
  • 1988
    • Painting Commission, Progressive Companies, Mayfield Heights, OH 
  • 1987
    • Grant, Ludwig Vogelstein Foundation
  • 1978
    • CETA Grant, Costume Design, Albuquerque Dance Theatre, Albuquerque, NM

PROFESSIONAL EXPERIENCE

  • 2012-16
    • President, BAU Institute, Arts Residency, Otranto, Italy, http://www.bauinstitute.org
    • Visiting Critic, Maryland Institute College of Art, Baltimore, MD
  • 2010
  • 2008  
    • Math Studio, site-specific participation, Smith College and APE Space, Northhampton, MA
    • Guest Artist New Arts Alive, TV Broadcast, BCTV, Berks County, PA, DUTV-54, Philadelphia, Manhattan, channel 34/82, NYC
  • 1999
    • Panelist, CAA Conference, LA, Abstraction and Transcription: the Question of Touch, Buzz Spector, chair
    • Panelist, Lincoln Center Festival, Authenticity and the Peony Pavilion
    • Editor, American Abstract Artists Journal, www.americanabstractartists.org 
  • 1998 
    • Chair, College Art Association (CAA) Conference Session: Off Color, Toronto, Canada
  • 1996
    • Panelist, Abstraction/Meaning, Power Boothe Moderator, American Abstract Artists
    • Panelist, Issues of Abstraction in the late 90’s, Vito Giacolone moderator, Kean Coll, NJ
  • 1991
    • Judge, Annual Awards, Painting/Sculpture/Photography/Graphics, Kingsborough Community College
  • 1987
    • Visiting Artist/Presenter to Art Symposium, University of California, Santa Barbara, CA
  • 1985-81
    • Draftsperson, Sol Lewitt, John Weber Gallery, Paula Cooper Gallery, NY, Wadsworth Atheneum, Hartford, CT 
  • 1983-84 
    • Co-founder and curator, Directions on Broadway Installation Space, 452 Broadway, NY
  • 1982
    • Draftsperson, Sol Lewitt wall drawings, John Weber Gallery, Paula Cooper Gallery, NY
    • Visiting Artist, Whitaker Foundation, Palermo, Italy, (one month residency)
  • 1981
    • Draftsperson, Sol Lewitt wall drawing retrospective, Wadsworth Atheneum, Hartford, CT

BIBLIOGRAPHY 

  • 2017
    • Elisabetta Longari, Seeing Through/Vedere Attraverso, Casa Italiana, NY, Catalog
  • 2014
    • MacDougall, Sue, "Artelogical.com," Nov. 28. Gallery Molly Krom, NY, NY, Review
    • Girl Band, Essay Stephanie Buhmann, Martin Gallery, Baker Center, Muhlenberg College, Allentown, PA, Catalog
    • Wylie Schwartz, A Slice of Splendor, Johnson Museum showcases American Abstract Artists, Review
  • 2013
    • 75th Anniversary, AAA Print Portfolio, Ewing Gallery, University of Tennessee, Knoxville, essay by Robert Storr, Catalog
    • Physical Property, Brian Morris Gallery, NY, Brochure
  • 2010
    • Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Johnson Museum, Cornell Univ, Ithaca, NY, Catalog
    • Wylie Schwartz, A Slice of Splendor, Johnson Museum showcases American Abstract Artists
  • 2009
    • Longari, Elisabetta and Wei, Lilly, Corso Ricorso: Marthe Keller’s Recent Painting, Catalog Essays
  • 2008
    • Amy, Eshoo, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006, Yale University, pub
  • 2007
    • MacNair, Andrew, ZAPP Urbanism, Interview with the artist on Collapse of the Stuttering Hand, Zine
    • Westfall, Stephen, essay, ZAPP Urbanism, "The Material Sign", Zine
  • 2006
    • Yassin, Aaron, The Material Sign, review, www.artcritical.com, David Cohen, editor, Review
    • Pozzi, Lucio, “AAA: Il tizzone si e raffreddato”, Il Giornale del Arte, August, page 26, Review
    • Keller, Marthe, “Anti-Working Notes”, On Edge: AAA Journal, pg 59 v.5, Article
  • 2003
    • Keller, Marthe, contributor, Readymade Color, Positions, Galerie Devarrieux, Paris, eds: Kerlidou, Louaver et all. Book
  • 2000
    • Keller, Marthe, Further Desistance, I’m Late, I’m Late!, American Abstract Artists Journal #4, Article
  • 1999
    • Naves, Mario, Martha Keller, New Art Examiner, March, Review 
  • 1998
    • Melville, Stephen, Rosenberg+Kaufman Fine Art, publisher, Essay
    • Johnson, Ken, Art Guide, New York Times, Oct 30, Martha Keller Review
    • Wilkinson, Jeanne C., Review Magazine, Nov 1, Martha Keller, Desistance Review
  • 1997
    • Bell, Tiffany, review, Martha Keller, Art In America, September Review
    • Keller, Marthe, After the Fall: Aspects of Abstract Painting Since 1970 Essay
  • 1996
    • Keller, Martha, “Abstract/Meaning, notes for/from the panel”, American Abstract Artists Journal #1
  • 1995
    • MacAdam, Alfred, Basic Marks, ARTnews, March Review
  • 1994
    • Longari, Elisabetta, review, Juliet n.69, Oct/Nov, 94, Milan Review
    • Zimmer, William, New York Times, NJ, Aug.28, “Geometric Abstraction’s Varied Moods”
    • Drake, Nicholas, review, Charleston Post and Courier, Sept.25                                                                                 
    • Ferrario, Rachele, Martha Keller, Flash Art, Italian Edition Summer Review
    • Wei, Lilly, Martha Keller, Art In America, March Review
    • Gardner, Paul, “Who Are The Most Overrated and Underrated Artists?” ARTnews, Feb Article
    • Turner, Paige, “Void and Stroke”, Halsey Gallery, Sept. Brochure
    • Wilkinson, Jeanne C., “Bold Contradiction of Minimalism”, Cover, April Review
  • 1993
    • Westfall, Stephen, “Both There and Here”, Martha Keller Paintings Essay
  • 1992
    • Collovini, Diego, Tema Celeste, Italian Edition Review
  • 1991
    • Perissinotto, Luciano, “Variazioni cromatiche nell’arte della Keller”, Messaggero Veneto, June Review
    • Centioni, Paolo, “Martha Keller, Plurima, Udine”, Flash Art, Italian Edition, Summer. Review
  • 1988
    • Masheck, Joseph, ”Formal”, Dart Gallery, Chicago, IL. Essay
    • Westfall, Stephen, Art in America, March. Review
    • Heartney, Eleanor, Martha Keller, ARTnews, February Review
    • Wilkinson, Jeanne C., Review, November 
  • 1987
    • Lieb, Vered, review, “One and One: A study of Scale”, Arts Magazine, February
  • 1986
    • Westfall, Stephen, Martha Keller, Arts Magazine, May Review
    • “Views & Reviews”, Attenzione, Sept./Oct.
  • 1984
    • Zimmer, William, catalogue essay, “Small Works: New Abstract Painting”
    • Williams Center For The Arts, Lafayette College & Muhlenburg College, Allentown, PA.
  • 1982
    • Stuckey, Charles F., “Martha Keller, Systems For Visions”, Fondazione Whitaker, PA., Italy. Essay
    • Nickles, Joan, “Breaking Traditions at Palermo’s Whitaker”, The Arts, Rome Daily American, June 4, Rome
    • La Monica, Giuseppe, “Segni Umani Nello Spazio”, L’Ora, 6/ 12, PA, Italy
    • “I Grandi Spazi Americani”, Giornale di Sicilia, 6/ 11, PA, Italy

EDUCATION

  • 2013 Queens College, City University of New York, NY, MFA  
  • 1972-73 George Washington University, Art Therapy, MA Program
  • 1969-71 Maryland Institute, College of Art, Painting, BFA
  • 1966-69 Boston University, School of Fine Arts
  • 1968- Temple University, Tyler School of Art, Rome, Italy
  • 1964-66 St. Stephen’s School, Rome, Italy
  • 1961-64 Overseas School of Rome, Rome, Italy  

TEACHING

  • 2010-18 
    • Assistant Professor, Adjunct, Art LA201, 101, Advanced Drawing, Begining Painting, Hunter College, CUNY 
  • 2007/8/9 -
    • Asst. Prof, Adj, Painting ART336 and 235, Art LA101, Hunter College, CUNY
    • BAU Workshops, Baryshnikov Center, NY, NY, “Painters Call On Painters” advanced seminar
  • 2006 
    • Asst. Prof, Adj, Basic Drawing. Advanced Painting Techniques & Concepts, ART360, Hunter College, CUNY
  • 2004/5
    • Asst. Prof, Adj, Advanced Drawing and Art 101, Hunter College, CUNY
  • 2004
    • Visiting Artist/Painting Instructor, Summer Workshop (City College), Otranto, Italy  (July)
    • Assistant Professor, Adj., Advanced Drawing and Art 101, Hunter College, CUNY
  • 2003
    • Assistant Professor, Adj., Basic Drawing and Art 101, Hunter College, CUNY
  • 2002
    • Assistant Professor, Adj., Advanced and Beginning Painting and Art 101, Hunter College, CUNY
  • 2001
    • MFA Seminar, Art and Art History Department, University of Connecticut, Storrs, CT (Fall Semester)
    • Visiting Artist, Junior Year Abroad, Maryland Institute, Aix en Provence, France
    • Assistant Professor, Adj., Advanced and Beginning Painting, Art 101, Hunter College, CUNY
  • 2000
    • Visiting Artist, Advanced Painting, Painting in Two Directions, Maryland Institute, Baltimore, MD
    • Assistant Professor, Adj., Advanced Drawing and Art 101, Hunter College, CUNY
  • 1999
    • MFA Seminar, Art and Art History Department, University of Conn, Storrs, CT
    • Assistant Professor, Adj., Drawing I, Hunter College, CUNY
    • Artist/Teacher, MFA Program, Vermont College
  • 1998-99
    • Lecturer, Beginning Painting, Princeton University, Princeton, NJ
    • Lecture, “Off Color”, California College of Arts and Crafts, Oakland, CA
    • Assistant Professor, Adj., Art 101, Hunter College, CUNY
    • Instructor, Painting Seminar, The New School/ Parsons, NY