MARTHE KELLER
39 Walker St, NY, NY 10013  
212-431-6923 

ONE PERSON EXHIBITIONS 

 

  • 2019
    • Pittura Plurale, Galleria Michela Cattai, Milan, Italy, Elisabetta Longari, Curator, Catalog
  • 2017
    • SeeingThrough/VedereAttraverso, Casa Italiana Zerilli Marimo`NYU, NY (two-person), Elisabetta Longari, Curator, Catalog 
  • 2013
    • The Coach with Six Insides, Queens College Klapper Gallery, Flushing, NY
  • 2012 
    • rain kiss on me back, Garrison Art Center, Balter Gallery, Garrison, NY
  • 2011
    • Marthe Keller, New Arts Program, Kutztown, PA
    • Marthe Keller, Northhampton Community College, Northhampton, PA
  • 2009
    • Corso Ricorso IV, GB Kunst, Galerie Palais Walderdorff,Trier, Germany Catalog
    • Corso Ricorso III, St Stephen’s Cultural Center Foundation, Rome, Italy
  • 2008
    • Corso Ricorso II, Studio Fontaine, Viterbo, Italy
    • Corso Ricorso I, Miralli Gallery, Palazzo Chigi, Corso Ricorso II, Studio Fontaine, Viterbo, Italy
  • 2005
    • Soho Myriad, Featured artist, Atlanta, GA, curator Sarah Hall
  • 2002 
    • Fold Color Replay, Rosenberg + Kaufman Fine Art, 30 West 57th St, NY
  • 2000
    • Marthe Keller and Karen Shaw, Conversation, Art Resources Transfer, NY, (two-person)
  • 1999
    • Atrium Gallery, University of Connecticut, Storrs, CT, Saul Ostrow, Curator
  • 1998
  • 1997
    • Rosenberg + Kaufman Fine Art, NY
  • 1994
    • Halsey Gallery, College of Charleston, Charleston, SC Catalog
    • Turchetto Gallery, Via Mercadante 3, Milan, Italy
  • 1993
    • Stephen Rosenberg Gallery, 115 Wooster St, NY, Catalog
  • 1992
    • Stephen Rosenberg Gallery (two-person) Catalog
  • 1991
    • Galleria Plurima, Udine, Italy
  • 1986,7,8,9
    • Stephen Rosenberg Gallery, NY Catalog
  • 1982
    • Whitaker Foundation Museum, Palermo, Italy Catalog
  • 1978
    • Albuquerque Arts Center, University of New Mexico, Albuquerque, NM
  • 1976
    • John Hopkins University, Baltimore, MD
  • 1974
    • Lepofsky Gallery, Baltimore, MD

GROUP EXHIBITIONS 

  • 2023
    • Blurring Boundaries: The Women of American Abstract Artists, 1936-Present, Mattatuck Museum, Waterbury, CT, May 7 - Sept 10
    • On Balance, Art Cake, 214 40th St, Brooklyn, NY, April 15- May 14
    • Between Light and Shadow, AOA;87 Gallery for Contemporary Art, Bamberg, Germany, through April 22. Brochure
  • 2020-22
    • Blurring Boundaries: The Women of American Abstract Artists, 1936-Present, Rebecca DiGiovanna, curator.South bend Museum of Art, South bend, IN, Baker Museum of Art, Naples FL, Freedman Gallery of Art at Albright College, Reading PA, Peeler Art Center, DePauw University, Greencastle, IN, LSU Museum of Art, Baton Rouge, LA, California Center for the Arts, Escondido, CA.
  • 2019-20
    • Continuity to Change: Recent History of American Abstraction, Tower Fine Art Center, The College at Brockport SUNY, NY
    • American Abstract Artists Digital Prints, 2012 -2019, Transmitter Gallery, Brooklyn, NY
  • 2018-2019
    • Blurring Boundaries: The Women of American Abstract Artists, 1936-Present, Rebecca DiGiovanna, curator. Clara M. Eagle Gallery, Murray State University, Murray KY, September. University of Tennessee, Knoxville TN, November
    • Art of the Print and works on paper, The White Gallery, Lakeville, CT, through Sept 9
    • Joseph Zito Plus Ten, Lennon Weinberg Gallery, NY, through August 17
  • 2017
    • The Greatest Show on Earth, Sideshow Gallery, Brooklyn, NY
  • 2016
    • BAND, The Painting Center, NY, curator Stephanie Buhmann (catalog)
    • Gerald's Hitshow: 21st Century Abstract Painting & Sculpture, Rush Arts Gallery, NY, curator Gerald Jackson
    • Chromatic Space: American Abstract Artists, Shirley Fiterman Art Center, NY, curator Jonathan D. Lippincott
    • Tower of Babel, Schema Projects, Brooklyn, NY, traveling to Tel Aviv, Israel, and Perugia, Italy
    • The Better Half, Die bessere Halfte, Stadtmuseum Simeonstift Trier, Germany, curator Alexandra Orth
    • The Onward of Art AAA 80th Anniversary, USB Gallery, NY, curator Karen Wilkin, catalog
    • Visible Histories: AAA 80th Anniversary, Morris Warren gallery, NY, curator Maxim Weintraub 
    • Through the Rabbit Hole, Sideshow Nation IV, Brooklyn, NY
    • Thebes Sphinx Festival, Conference center of Thiva, Thebes, Greece, Dores and Rose Sacquegna curators
  • 2015
    • Circle the Wagons!!! , Sideshow Nation III, Brooklyn, NY 
    • AAA 75th Anniversary Print Portfolio, Vanderbilt University Fine Arts Gallery, Nashville, TN
    • Sensory Impact, AAA at Morgan Stanley International, Purchase, NY 
    • A View From Camargo: BAU Institute, FiveMyles Gallery, Brooklyn, NY, curator Saul Ostrow
  • 2014 
    • Forces at Play, Gallery Molly Krom, NY, NY, Catalog Essay, Susan Larsen
    • Freak Flag, Brian Morris Gallery Midtown, NY, NY, curator Kim Uchiyama
    • Feral Objects, Creon gallery, NY, NY Curated by Peggy Cyphers with Lucio Pozzi, April 16 to May 14
    • Girl Band: Abstraction Rooted in Line and Color, Muhlenberg College, PA, Curator Stephanie Buhmann
  • 2013  
    • Physical Property, Brian Morris Gallery, 163 Chrystie St, NY, Curated by Kim Uchiyama, Nov 7- Dec 7
    • AAA at Kent State, Curated by Gianna Commito and Scott Olson, Oct 22 - Nov 22
    • AAA 75th Anniversary Print Portfolio, Ewing Gallery, UT School of Art, University of Tennessee, Knoxville  
    • stronger than fear is hope, Schmalfuss Berlin Contemporary Fine Art, Berlin, Germany
    • Anonymous Drawings 2013, Kunstverein Tiergarten, Gallerie Nord, Berlin, Germany 
    • Sideshow Nation, Sideshow Gallery, Williamsburg, Brooklyn, NY
    • 2012 - AAA International 75th Anniversary, paris CONCRET, Paris, France 
    • MIC CHECK:Occupy, Sideshow Gallery, Williamsburg, Brooklyn, NY
    • 2011-12 - FLUID, (3-person) Delaware Center for Contemporary Arts,Bieber Ham Gallery, Wilmington, DE 
  • 2011
    • American Abstract Artists 75th Anniversary Exhibition , OK Harris Works of Art, NY
    • Splendor of Dynamic Structure, Herbert F Johnson Museum, Ithaca, NY, curator, Nancy E Green, (review)
    • FLUID, (3-person)Towson Univ. Center for the Arts Gallery,Towson MD, curator Susan Isaacs
    • It’s All Good !!, apocalypse now, Sideshow Gallery, Williamsburg, Brooklyn, NY
  • 2010
    • AAA International “L’astrazione vista da un cosmopolita”, Aragonese Castle, Otranto, Italy. 
    • Anonyme Zeichner N°10, Bluntenwiess, Berlin, Germany, curator, Anka Becker
  • 2009
    • Dialoghi D’Accanto, Studio Fontaine, Viterbo, Italy, curator, Federico Sardella
    • Linked: Small works, BIG IDEAS, Heskin Contemporary, NY, NY, curator Jennifer Riley
  • 2008
    • No Chromophobia, OK Harris Works of Art, NY, NY, curator Richard Witter
    • Echo, Implant, Imprint, Reverb, Frederieke Taylor Gallery, NY, curator Stephen Maine
    • American Abstract Artists Tribute to Esphyr Slobodkina, The Painting Center, NY
    • Peace, Sideshow Gallery, Williamsburg, Brooklyn, NY
  • 2007
    • Material Matter, Sideshow Gallery, Williamsburg, Brooklyn, NY, curator Kat Griefen
    • Contrappunto, BAU Institute Gallery, Hudson, NY, curator Marina Urbach.
  • 2006
    • Material Sign, Florence Lynch Gallery, NY, f­­our-person exhibition, curator Stephen Westfall
    • Winter Salon, Lesley Heller Gallery, NY
    • WAR IS OVER, Sideshow Gallery, Williamsburg Brooklyn, NY
  • 2005
    • Optical Simulations, Yellow Bird, Newburgh, NY, curator Jill Conner
    • Diva on view 1998-2004, New Aquisitions, Metropolitan Museum of Art, NY, NY
  • 2004-5
    • Merry–Peace, Sideshow Gallery, Williamsburg Brooklyn, NY
  • 2004
    • Intersections, Douglas Elliman TriBeCa Gallery, N Y, NY, Ruth Hardinger & Michael Norton, curators
    • Diva, painting on view 1998-2004 in the collection of the Metropolitan Museum of Art, New York, NY
  • 2003  
    • Eleven Painters Eleven views of Abstraction, Chiaroscuro Contemporary Art, Santa Fe, NM 
    • MORE, Mpercent, Cleveland, OH.
  • 2002-3
    • Les Fables de La Fontaine, Centre pour l’Arte et la Culture, Aix-en-Provence, France and USA tour
  • 2001
    • 21st Century Suffragettes, Sideshow, Williamsburg, Brooklyn, NY (July), Merry
  • 2000
    • Toward the New: American Abstract Artists, Hillwood Art Museum, Brookville, NY
    • Hunter College Art Department Faculty Exhibition, Times Square Gallery
    • Irresolution, Painting and Photography, Rosenberg + Kaufman, NY
    • Women and Geometric Abstraction, Rubelle and Norman Schaffler Gallery, Pratt Institute, Brklyn, NY
  • 1999
    • Women and Geometric Abstraction, Pratt Institute Gallery, NY
  • 1997
    • After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Lilly Wei curator, catalog
    • Better Color Through Chemistry, Islip Art Museum, NY, Karen Shaw curator
    • Abstraction Index, Condeso/Lawler Gallery, organized by Vincent Longo and Laura Sue Philips
  • 1996
    • Kunstart, Bockenheimer Depot, Frankfurt/M, Germany, Miki Bunge, curator, catalog, CD Rom
    • Dots and Lines, 8th Floor Gallery, NY, Theresa Chong curator
    • Pioneers of Abstract Art: American Abstract Artists, 1936-96, Mishkin Gallery, Baruch College Sandra Kraskin, curator
    • Jan Maiden Fine Art, Columbus, OH.
  • 1995
    • Semaphore: Placing the Mark, Art Initiatives and Bill Bace
    • Basic Marks: black & white paintings, Rosenberg + Kaufman Fine Art, NY
  • 1994
    • Art in Embassies Program, Smithsonian Institution, American Mission, Vienna, Austria.
    • The Persistence of Abstraction, American Abstract Artists, Noyes Museum, Oceanville, NJ
  • 1993
    • Drawings From 55 Ferris Street, Werner Kramarsky, NY and Jessica Berwind Gallery, Phila, PA
    • Structure, Lilian Heidenberg Gallery, NY, Hugh Keenan, curator
    • Family Ties, Krasdale Foods Gallery and Lehman College, Westchester, NY
    • 55 Ferris Street, Brooklyn, NY, Frederieke Taylor, Joe Zito curators, catalog
  • 1992
    • Vertical Slice, Cummings Art Center, Connecticut College, New London, CT
    • The Persistence of Abstraction, Edwin A. Ulrich Museum of Art, Wichita, KA, catalog
    • Galleria Plurima, Udine and Milan Italy
  • 1991
    • Paper Trail, Stephen Rosenberg Gallery, NY
    • Conlon Gallery, Santa Fe, NM
  • 1990
    • Surface and Light, Stephen Rosenberg Gallery NY, Fran Kaufman curator.
    • American Abstract Artist’s Exhibition, 55 Mercer Gallery, NY
  • 1989
    • Abstract Painting, Illinois Center Gallery, Chicago, IL, Dennis Adrian curator
    • Contemporary Abstract Drawing, Stephen Rosenberg Gallery, NY
  • 1988
    • Formal, Dart Gallery, Chicago, IL, Lance Kinz curator, catalog, Essay, Joseph Masheck
    • Partners Gallery, Bethesda, MD
    • The Gold Show, Genovese Gallery, Boston, MA
    • Altar/Alter, Carlo Lamagna Gallery, NY, Ken Tisa curator
  •  1986
    • Line Drives, Gallery 53, Cooperstown, NY, William Zimmer curator
    • One and One, Stephen Rosenberg Gallery, NY
    • Collectors Gallery XX, McNay Art Museum, San Antonio, TX
  •  1985
    • Abstract Presence, Defacto Gallery, NY
    • 9 Americans, 26 Federal Plaza, NY, curated by Hirondelle Gallery
    • Small Works, New Abstract Painting, Williams Center for the Arts, Easton, PA and Muhlenberg Gallery Allentown, PA, Hudspeth & Janowich curators
  • 1984
    • Fourth Annual, John Davis Gallery, Akron, OH
    • 17 Artists’ Installations, Directions on Broadway, NY
    • A More Store, Jack Tilton Gallery, NY
    • Making Marks, Works on Paper, 22 Wooster Gallery, NY
  •  1983 
    • Three Artists, Directions On Broadway, NY

PUBLIC COLLECTIONS  

  • Brooklyn Museum, print collection, Brooklyn, NY
  • Metropolitan Museum of Art, NY, NY (painting, Diva, on view from 1993 to 2005)
  • Museum of Modern Art, print collection, NY, NY
  • Whitney Museum of American Art, print collection, NY, NY
  • British Museum, Dept. of Prints, London, England 
  • Fogg Art Museum, print collection,Harvard University, Cambridge, MA
  • Pollock Gallery, Southern Methodist University, Dallas, TX
  • US Embassy, Beijing Embassy Annex, Beijing China
  • AAA 75th Anniversary Print Portfolio
  • San José Museum of Art, San José, CA
  • New Jersey State Museum, Trenton, NJ 
  • Progressive Corporation Collection, Cleveland, OH 
  • Princeton University, Rare Book Collection, Princeton, NJ
  • The Parrish Art Museum, South Hampton, NY
  • University of Richmond Museum, The Joel and Lila Harnett Print Study Center, Richmond, VA
  • The Mississippi Museum of Art, Jackson, MS
  • American Mission, Ambassador, Vienna, Austria
  • Prudential Corporation Collection, NJ
  • Whitaker Foundation Museum, PA.
  • Food Italia, S.R.L, Rome, Italy
  • Barbara Guggenheim Inc., New York, NY
  • Concentric Associates, Inc., NJ
  • Pharmaceutical Peptides, Inc. Cambridge, MA
  • TFX Industries, Plymouth Meeting, PA
  • J. Robert Scott, Los Angeles, CA

AWARDS 

  • 2016
    • PSC/CUNY Professional Development Grant, City University of New York
  • 2010-09
    • PSC/CUNY Professional Development Grant, City University of New York
  • 2008
    • Publication Grant, Fifth Floor Foundation, NY, NY
  • 2007
    • Residency Award, Greenberger Foundation, NY
    • Presidential Travel Grant, Dept of Arts and Sciences, Hunter College, CUNY, NY
  • 1998
    • Guest Artist, Ceramics Department, Hunter College, NY
    • Presidential Travel Grant, Dept of Arts and Sciences, Hunter College, CUNY, NY
  • 1997
    • Guest Artist, Women and Minority Print Program, Ringling School, FL
  • 1990
    • Fellowship, The Mac Dowell Colony, July/August  1989 and 1990
  • 1989
    • Fellowship, NEA, National Endowment For the Arts, 1989/90
    • Fellowship, NYFA, New York Foundation For the Arts, 1989/90
  • 1988
    • Painting Commission, Progressive Companies, Mayfield Heights, OH 
  • 1987
    • Grant, Ludwig Vogelstein Foundation
  • 1978
    • CETA Grant, Costume Design, Albuquerque Dance Theatre, Albuquerque, NM

PROFESSIONAL EXPERIENCE

  • 2012-16
    • President, BAU Institute, Arts Residency, Otranto, Italy, http://www.bauinstitute.org
    • Visiting Critic, Maryland Institute College of Art, Baltimore, MD
  • 2010
  • 2008  
    • Math Studio, site-specific participation, Smith College and APE Space, Northhampton, MA
    • Guest Artist New Arts Alive, TV Broadcast, BCTV, Berks County, PA, DUTV-54, Philadelphia, Manhattan, channel 34/82, NYC
  • 1999
    • Panelist, CAA Conference, LA, Abstraction and Transcription: the Question of Touch, Buzz Spector, chair
    • Panelist, Lincoln Center Festival, Authenticity and the Peony Pavilion
    • Editor, American Abstract Artists Journal, www.americanabstractartists.org 
  • 1998 
    • Chair, College Art Association (CAA) Conference Session: Off Color, Toronto, Canada
  • 1996
    • Panelist, Abstraction/Meaning, Power Boothe Moderator, American Abstract Artists
    • Panelist, Issues of Abstraction in the late 90’s, Vito Giacolone moderator, Kean Coll, NJ
  • 1991
    • Judge, Annual Awards, Painting/Sculpture/Photography/Graphics, Kingsborough Community College
  • 1987
    • Visiting Artist/Presenter to Art Symposium, University of California, Santa Barbara, CA
  • 1985-81
    • Draftsperson, Sol Lewitt, John Weber Gallery, Paula Cooper Gallery, NY, Wadsworth Atheneum, Hartford, CT 
  • 1983-84 
    • Co-founder and curator, Directions on Broadway Installation Space, 452 Broadway, NY
  • 1982
    • Draftsperson, Sol Lewitt wall drawings, John Weber Gallery, Paula Cooper Gallery, NY
    • Visiting Artist, Whitaker Foundation, Palermo, Italy, (one month residency)
  • 1981
    • Draftsperson, Sol Lewitt wall drawing retrospective, Wadsworth Atheneum, Hartford, CT

BIBLIOGRAPHY 

  • 2023
    • On Balance, New Work by American Abstract Artists, Catalog
    • Past/Present, American Abstract Artists Honor Their Predecessors; Journal Issue #6. American Abstract Artists, publisher. Journal
    • Alberto Miralli, Arte Contemporaneo A Viterbo, 1974 - 2021, Davide Ghaleb Editore, www.ghaleb.it, publisher.
  • 2018
    • Blurring Boundaries, The Women of American Abstract Artists, 1936-Present. Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville
  • 2017
    • Elisabetta Longari, Seeing Through/Vedere Attraverso, Casa Italiana, NY, Catalog
  • 2014
    • MacDougall, Sue, "Artelogical.com," Nov. 28. Gallery Molly Krom, NY, NY, Review
    • Girl Band, Essay Stephanie Buhmann, Martin Gallery, Baker Center, Muhlenberg College, Allentown, PA, Catalog
    • Wylie Schwartz, A Slice of Splendor, Johnson Museum showcases American Abstract Artists, Review
  • 2013
    • 75th Anniversary, AAA Print Portfolio, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, Essay by Robert Storr. Catalog
    • Physical Property, Brian Morris Gallery, NY, Brochure
  • 2010
    • Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Johnson Museum, Cornell Univ, Ithaca, NY, Catalog
    • Wylie Schwartz, A Slice of Splendor, Johnson Museum showcases American Abstract Artists
  • 2009
    • Longari, Elisabetta and Wei, Lilly, Corso Ricorso: Marthe Keller’s Recent Painting, Catalog Essays
  • 2008
    • Amy, Eshoo, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006, Yale University, pub. 
  • 2007
    • MacNair, Andrew, ZAPP Urbanism, Interview with the artist on Collapse of the Stuttering Hand, Zine
    • Westfall, Stephen, essay, ZAPP Urbanism, "The Material Sign", Zine
  • 2006
    • Yassin, Aaron, The Material Sign, review, www.artcritical.com, David Cohen, editor, Review
    • Pozzi, Lucio, “AAA: Il tizzone si e raffreddato”, Il Giornale del Arte, August, page 26, Review
    • Keller, Marthe, “Anti-Working Notes”, On Edge: AAA Journal, pg 59 v.5, Article
  • 2003
    • Keller, Marthe, contributor, Readymade Color, Positions, Galerie Devarrieux, Paris, eds: Kerlidou, Louaver et all. Book
  • 2000
    • Keller, Marthe, Further Desistance, I’m Late, I’m Late!, American Abstract Artists Journal #4, Article
  • 1999
    • Naves, Mario, Martha Keller, New Art Examiner, March, Review 
  • 1998
    • Melville, Stephen, Rosenberg+Kaufman Fine Art, publisher, Essay
    • Johnson, Ken, Art Guide, New York Times, Oct 30, Martha Keller Review
    • Wilkinson, Jeanne C., Review Magazine, Nov 1, Martha Keller, Desistance Review
  • 1997
    • Bell, Tiffany, review, Martha Keller, Art In America, September Review
    • Keller, Marthe, After the Fall: Aspects of Abstract Painting Since 1970 Essay
  • 1996
    • Keller, Martha, “Abstract/Meaning, notes for/from the panel”, American Abstract Artists Journal #1
  • 1995
    • MacAdam, Alfred, Basic Marks, ARTnews, March Review
  • 1994
    • Longari, Elisabetta, review, Juliet n.69, Oct/Nov, 94, Milan Review
    • Zimmer, William, New York Times, NJ, Aug.28, “Geometric Abstraction’s Varied Moods”
    • Drake, Nicholas, review, Charleston Post and Courier, Sept.25                                                                                 
    • Ferrario, Rachele, Martha Keller, Flash Art, Italian Edition Summer Review
    • Wei, Lilly, Martha Keller, Art In America, March Review
    • Gardner, Paul, “Who Are The Most Overrated and Underrated Artists?” ARTnews, Feb Article
    • Turner, Paige, “Void and Stroke”, Halsey Gallery, Sept. Brochure
    • Wilkinson, Jeanne C., “Bold Contradiction of Minimalism”, Cover, April Review
  • 1993
    • Westfall, Stephen, “Both There and Here”, Martha Keller Paintings Essay
  • 1992
    • Collovini, Diego, Tema Celeste, Italian Edition Review
  • 1991
    • Perissinotto, Luciano, “Variazioni cromatiche nell’arte della Keller”, Messaggero Veneto, June Review
    • Centioni, Paolo, “Martha Keller, Plurima, Udine”, Flash Art, Italian Edition, Summer. Review
  • 1988
    • Masheck, Joseph, ”Formal”, Dart Gallery, Chicago, IL. Essay
    • Westfall, Stephen, Art in America, March. Review
    • Heartney, Eleanor, Martha Keller, ARTnews, February Review
    • Wilkinson, Jeanne C., Review, November 
  • 1987
    • Lieb, Vered, review, “One and One: A study of Scale”, Arts Magazine, February
  • 1986
    • Westfall, Stephen, Martha Keller, Arts Magazine, May Review
    • “Views & Reviews”, Attenzione, Sept./Oct.
  • 1984
    • Zimmer, William, catalogue essay, “Small Works: New Abstract Painting”
    • Williams Center For The Arts, Lafayette College & Muhlenburg College, Allentown, PA.
  • 1982
    • Stuckey, Charles F., “Martha Keller, Systems For Visions”, Fondazione Whitaker, PA., Italy. Essay
    • Nickles, Joan, “Breaking Traditions at Palermo’s Whitaker”, The Arts, Rome Daily American, June 4, Rome
    • La Monica, Giuseppe, “Segni Umani Nello Spazio”, L’Ora, 6/ 12, PA, Italy
    • “I Grandi Spazi Americani”, Giornale di Sicilia, 6/ 11, PA, Italy

EDUCATION

  • 2013 Queens College, City University of New York, NY, MFA  
  • 1972-73 George Washington University, Art Therapy, MA Program
  • 1969-71 Maryland Institute, College of Art, Painting, BFA
  • 1966-69 Boston University, School of Fine Arts
  • 1968- Temple University, Tyler School of Art, Rome, Italy
  • 1964-66 St. Stephen’s School, Rome, Italy
  • 1961-64 Overseas School of Rome, Rome, Italy  

TEACHING

  • 2010-2023
    • Assistant Professor, Adjunct, Foundation, Drawing, Painting,, Hunter College, CUNY 
  • 2007/8/9
    • Asst. Prof, Adj, Painting ART336 and 235, Art LA101, Hunter College, CUNY
    • BAU Workshops, Baryshnikov Center, NY, NY, “Painters Call On Painters” advanced seminar
  • 2006 
    • Asst. Prof, Adj, Basic Drawing. Advanced Painting Techniques & Concepts, ART360, Hunter College, CUNY
  • 2004/5
    • Asst. Prof, Adj, Advanced Drawing and Art 101, Hunter College, CUNY
  • 2004
    • Visiting Artist/Painting Instructor, Summer Workshop (City College), Otranto, Italy  (July)
    • Assistant Professor, Adj., Advanced Drawing and Art 101, Hunter College, CUNY
  • 2003
    • Assistant Professor, Adj., Basic Drawing and Art 101, Hunter College, CUNY
  • 2002
    • Assistant Professor, Adj., Advanced and Beginning Painting and Art 101, Hunter College, CUNY
  • 2001
    • MFA Seminar, Art and Art History Department, University of Connecticut, Storrs, CT (Fall Semester)
    • Visiting Artist, Junior Year Abroad, Maryland Institute, Aix en Provence, France
    • Assistant Professor, Adj., Advanced and Beginning Painting, Art 101, Hunter College, CUNY
  • 2000
    • Visiting Artist, Advanced Painting, Painting in Two Directions, Maryland Institute, Baltimore, MD
    • Assistant Professor, Adj., Advanced Drawing and Art 101, Hunter College, CUNY
  • 1999
    • MFA Seminar, Art and Art History Department, University of Conn, Storrs, CT
    • Assistant Professor, Adj., Drawing I, Hunter College, CUNY
    • Artist/Teacher, MFA Program, Vermont College
  • 1998-99
    • Lecturer, Beginning Painting, Princeton University, Princeton, NJ
    • Lecture, “Off Color”, California College of Arts and Crafts, Oakland, CA
    • Assistant Professor, Adj., Art 101, Hunter College, CUNY
    • Instructor, Painting Seminar, The New School/ Parsons, NY