Marthe Keller | Bio
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BIO

 
 

New York artist Marthe Keller has been exhibiting internationally since 1974. Her paintings, collages and prints are represented in public collections including the Metropolitan Museum of Art, MoMA New York, the Whitney Museum, the British Museum, the San Francisco Museum of Modern Art, and many others. Keller has received grants, awards and residencies from institutions such as the National Endowment for the Arts, the New York Foundation for the Arts, the MacDowell Colony, the Chicago Art Institute, Princeton University, Ohio State University, University of Connecticut, Virginia Commonwealth and the Vermont Studio Center.

After her early years in the Hudson River Valley, Keller moved to Rome, Italy. She found new roots in Italy where she returns annually to paint. Marthe received her B.A. degree from the Maryland Art Institute and an MFA from Queens College, CUNY. Keller teaches painting and drawing in the Art Department at Hunter College, NY. She is President of the BAU Institute International Arts Residency, www.bauinstitute.org, and she serves as editor of the American Abstract Artists Journal www.americanabstractartists.org.

The Coach with Six Insides was Marthe Keller's most recent solo show in 2013 at Queens College, NY. She has has one person shows each year before that. rain kiss on me back, was at the Garrison Art Center, Garrison, NY in 2012, and in 2011 a survey of paintings and assemblages, My life in the Wake was shown in the New Arts Program, Kutztown, PA, and Northampton College, Bethlehem, PA. Also in 2011 Marthe exhibited her 30 foot painting, Fold Color Replay, in a three-person show, FLUID, at Towson University, Baltimore, MD, and the Delaware Center for Contemporary Art, Wilmington, DE. In 2008 and 2009 Keller's one-person exhibition, Corso Ricorso, toured Italy and Germany.

Keller's 2014 group shows include Girl Band: Linear Abstract Painting, Muhlenberg college, PA, Sideshow Nation: At the Alamo, Sideshow Gallery, Brooklyn, NY. In 2013 she exhibited in Physical Property at the Brian Morris Gallery, NY, and Abstraction at Kent State University, Ohio, as well as Stronger than Fear is Hope, Schmalfuss Contemporary Fine Art, Berlin, Germany among others.

Contact us to obtain a hardcopy of the Corso Ricorso catalog with essays by Elisabetta Longari and Lilly Wei, (available for $16.00 USD plus shipping and handling), or download a low-resolution version here.

 
Download Résumé/CV Curriculum Vitae
Awards Professional Experience Bibliography Public Collections Teaching Experience Education
One Person Exhibitions
2013 The Coach with Six Insides, Queens College Klapper Gallery, Flushing, NY
2012 rain kiss on me back, Garrison Art Center, Balter Gallery, Garrison, NY
2011 Marthe Keller, New Arts Program, Kutztown, PA
  Marthe Keller, Northhampton Community College, Northhampton, PA
2009 Corso Ricorso IV, GB Kunst, Galerie Palais Walderdorff,Trier, Germany (Catalog available)
  Corso Ricorso III, St Stephen's Cultural center Foundation, Rome, Italy
2008 Corso Ricorso I, Miralli Gallery, Palazzo Chigi, Viterbo, Italy
  Corso Ricorso II, Studio Fontaine, Viterbo, Italy
2005 Soho Myriad, Featured artist, Atlanta, GA, curator Sarah Hall
2002 Fold Color Replay, Rosenberg + Kaufman Fine Art, 30 West 57th St, NY
2000 Marthe Keller and Karen Shaw, Conversation, Art Resources Transfer, NY, March/ April (two-person)
1999 Atrium Gallery, University of Connecticut, Storrs, CT, Saul Ostrow, Curator
1998 Desistance, Rosenberg + Kaufman Fine Art, NY, accompanying publication by Stephen Melville
1997 Rosenberg + Kaufman Fine Art, NY
1994 Halsey Gallery, College of Charleston, Charleston, SC
  Turchetto Gallery, Via Mercadante 3, Milan, Italy
1993 Stephen Rosenberg Gallery, 115 Wooster St, NY, Catalogue
1992 Stephen Rosenberg Gallery (two-person)
1991 Galleria Plurima, Udine, Italy
1986/87/88/89 Stephen Rosenberg Gallery, NY
1982 Whitaker Foundation Museum, Palermo, Italy
1978 Albuquerque Arts Center, University of New Mexico, Albuquerque, NM 1976 - John Hopkins University, Baltimore, MD
1974 Lepofsky Gallery, Baltimore, MD
Group ExhibitionsBack to Bio | Back to CV
2014 Girl Band: Linear Abstract Painting, Muhlenberg College, Martin Art Gallery, Allentown, PA, guest curator, Stephanie Buhmann.
  Sideshow Nation II: At the Alamo, Sideshow Gallery, Williamsburg, Brooklyn, NY.
2013-14 AAA 75th Anniversary PrintPortfolio, Sarah Moody Gallery, University of Alabama.
2013 Physical Property, Brian Morris Gallery, 163 Chrystie St, NY, Curated by Kim Uchiyama.
  AAA 75th Anniversary Print Portfolio, Ewing Gallery, UT School of Art, University of Tennessee, Knoxville.
  Abstraction at Kent State, Curated by Gianna Commito and Scott Olson.
  AAA 75th Anniversary Print Portfolio, Brattleboro Museum & Art Center, Brattleboro, VT.
  Stronger than fear is hope, Schmalfuss Berlin Contemporary Fine Art, Berlin, Germany.
  Anonymous Drawings 2013, Kunstverein Tiergarten, Gallerie Nord, Berlin, Germany.
  Sideshow Nation, Sideshow Gallery, Williamsburg, Brooklyn, NY.
2012 AAA International 75th Anniversary, paris CONCRET, Paris, France.
  MIC CHECK:Occupy, Sideshow Gallery, Williamsburg, Brooklyn, NY.
2011-12 FLUID, (3-person)Delaware Center for Contemporary Arts,Bieber Ham Gallery, Wilmington, DE.
2011 American Abstract Artists 75th Anniversary Exhibition , OK Harris Works of Art, NY.
  FLUID, (3-person)Towson Univ. Center for the Arts Gallery,Towson MD, curator Susan Isaacs.
  Splendor of Dynamic Structure: Celebrating 75 years of the American Abstract Artists, Herbert F Johnson Museum of Art, Ithaca, NY, curator, Nancy E Green, (review).
  It's All Good !!, apocalypse now, Sideshow Gallery, Williamsburg, Brooklyn, NY.
2010 AAA International "L'astrazione vista da un cosmopolita", Aragonese Castle, Otranto, Italy.
  Anonyme Zeichner N°10, Bluntenwiess, Berlin, Germany, curator, Anke Becker
2009 Dialoghi D'Accanto, Studio Fontaine, Viterbo, Italy, curator, Federico Sardella
  Linked: Small works, BIG IDEAS, Heskin Contemporary, NY, NY, curator Jennifer Riley.
  It's A Wonderful Life, Sideshow Gallery, Williamsburg, Brooklyn, NY.
2008 No Chromophobia, OK Harris Works of Art, NY, NY, curator Richard Witter.
  Echo, Implant, Imprint, Reverb, Frederieke Taylor Gallery, NY, curator Stephen Maine.
  American Abstract Artists Tribute to Esphyr Slobodkina, The Painting Center, NY.
  Peace, Sideshow Gallery, Williamsburg, Brooklyn, NY.
2007 Material Matter, Sideshow Gallery, Williamsburg, Brooklyn, NY, curator Kat Griefen.
  Contrappunto, BAU Institute Gallery, Hudson, NY, curator Marina Urbach.
2006 Winter Salon, Lesley Heller Gallery, NY.
  Material Sign, Florence Lynch Gallery, NY, four-person exhibition, curator Stephen Westfall.
  WAR IS OVER, Sideshow Gallery, Williamsburg Brooklyn, NY.
2005 Optical Simulations, Yellow Bird, Newburgh, NY, curator Jill Conner.
  Ideal, Selections from the AAA, Metaphor Contemporary Art, Brooklyn, NY, curator Rene Lynch.
  The Faculty Exhibition, Hunter College/Times Square Gallery.
2004-05 Merry-Peace, Sideshow Gallery, Williamsburg Brooklyn, NY.
2004 Intersections, Douglas Elliman TriBeCa Gallery, NY, NY, Ruth Hardinger & Michael Norton, curators.
  Diva, painting on view 1998-2004 in the collection of the Metropolitan Museum of Art, New York, NY.
2003 Eleven Painters Eleven views of Abstraction, Chiaroscuro Contemporary Art, Santa Fe, NM.
  MORE, Mpercent, Cleveland, OH.
2002-03 Les Fables de La Fontaine, Centre pour l'Arte et la Culture, Aix-en-Provence, France and USA tour.
2001 21st Century Suffragettes, Sideshow, Williamsburg, Brooklyn, NY (July), Merry.
2000 Toward the New: American Abstract Artists, Hillwood Art Museum, Brookville, NY.
  Hunter College Art Department Faculty Exhibition, Times Square Gallery.
  Irresolution, Painting and Photography, Rosenberg + Kaufman, NY.
  Women and Geometric Abstraction, Rubelle and Norman Schaffler Gallery, Pratt Institute, Brklyn, NY.
1999 Women and Geometric Abstraction, Pratt Institute Gallery, NY.
1997 Better Color Through Chemistry, Islip Art Museum, NY, Karen Shaw curator.
  Abstraction Index, Condeso/Lawler Gallery, organized by Vincent Longo and Laura Sue Philips.
  After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Lilly Wei curator, catalog.
1996 Dots and Lines, 8th Floor Gallery, NY, Theresa Chong curator.
  Pioneers of Abstract Art: American Abstract Artists, 1936-96, Mishkin Gallery, Baruch College Sandra Kraskin, curator.
  Kunstart, Bockenheimer Depot, Frankfurt/M, Germany, Miki Bunge, curator, catalog, CD Rom, travelled to Galerie Guth-Maas & Maas, Reutlingen, Germany.
  Jan Maiden Fine Art, Columbus, OH.
1995 Semaphore: Placing the Mark, Art Initiatives and Bill Bace.
  Basic Marks: black & white paintings, Rosenberg + Kaufman Fine Art, NY.
1994 Art in Embassies Program, Smithsonian Institution, American Mission, Vienna, Austria.
  The Persistence of Abstraction, American Abstract Artists, Noyes Museum, Oceanville, NJ.
1993 Drawings From 55 Ferris Street, Werner Kramarsky, NY and Jessica Berwind Gallery, Phila, PA.
  Structure, Lilian Heidenberg Gallery, NY, Hugh Keenan, curator.
  Family Ties, Krasdale Foods Gallery and Lehman College, Westchester, NY.
  55 Ferris Street, Brooklyn, NY, Frederieke Taylor, Joe Zito curators, catalog.
1992 Vertical Slice, Cummings Art Center, Connecticut College, New London, CT.
  The Persistence of Abstraction, Edwin A. Ulrich Museum of Art, Wichita, KA, catalog.
  Galleria Plurima, Udine and Milan Italy.
1991 Paper Trail, Stephen Rosenberg Gallery, NY.
  Conlon Gallery, Santa Fe, NM.
1990 Surface and Light, Stephen Rosenberg Gallery NY, Fran Kaufman curator.
  American Abstract Artist's Exhibition, 55 Mercer Gallery, NY.
1989 Abstract Painting, Illinois Center Gallery, Chicago, IL, Dennis Adrian curator.
  Contemporary Abstract Drawing, Stephen Rosenberg Gallery, NY.
1988 Formal, Dart Gallery, Chicago, IL, Lance Kinz curator, catalog.
  Partners Gallery, Bethesda, MD.
  The Gold Show, Genovese Gallery, Boston, MA.
  Altar/Alter, Carlo Lamagna Gallery, NY, Ken Tisa curator.
1986 One and One, Stephen Rosenberg Gallery, NY.
  Collectors Gallery XX, McNay Art Museum, San Antonio, TX.
  Line Drives, Gallery 53, Cooperstown, NY, William Zimmer curator.
1985 Abstract Presence, Defacto Gallery, NY.
  9 Americans, 26 Federal Plaza, NY, curated by Hirondelle Gallery.
  Small Works, New Abstract Painting, Williams Center for the Arts, Easton, PA and Muhlenberg Gallery. Allentown, PA, Hudspeth & Janowich curators.
1984 Fourth Annual, John Davis Gallery, Akron, OH.
  17 Artists' Installations, Directions on Broadway, NY.
  A More Store, Jack Tilton Gallery, NY.
  Making Marks, Works on Paper, 22 Wooster Gallery, NY.
1983 Three Artists, Directions On Broadway, NY.
Selected Public CollectionsBack to Bio | Back to CV
  Metropolitan Museum of Art, NY, NY (painting, Diva, on view 1993 to 2005)
  Museum of Modern Art, print collection, NY, NY
  Whitney Museum of American Art, print collection, NY, NY
  British Museum, Dept. of Prints, London, England
  Princeton University, rare book collection, Princeton, NJ
  Fogg Art Museum, print collection, Harvard University, Cambridge, MA
  The Parrish Art Museum, South Hampton, NY
  Pollock Gallery, Southern Methodist University, Dallas, TX
  San José Museum of Art, San José, CA
  University of Richmond Museum, The Joel and Lila Harnett Print Study Center, Richmond, VA
  The Mississippi Museum of Art, Jackson, MS
  American Mission, Ambassador of The USA, Vienna, Austria
  New Jersey State Museum, Trenton, NJ
  Progressive Corporation Collection, Cleveland, OH
  Prudential Corporation Collection., N J
  Whitaker Foundation Museum, PA., Italy
  FoodItalia, S.R.L, Rome, Italy
  Barbara Guggenheim Inc., New York, NY
  Concentric Associates, Inc., NJ
  Pharmaceutical Peptides, Inc. Cambridge, MA
  TFX Industries, Plymouth Meeting, PA
  J. Robert Scott, Los Angeles, CA
AwardsBack to Bio | Back to CV
2010 PSC/CUNY Professional Development Grant, City University of New York
2009 PSC/CUNY Professional Development Grant, City University of New York
2008 Publication Grant, Fifth Floor Foundation, NY, NY
2007 Presidential Travel Grant, Dept of Arts and Sciences, Hunter College, CUNY, NY
  Residency Award, Greenberger Foundation, NY
1998 Guest Artist, Ceramics Department, Hunter College, NY
  Presidential Travel Grant, Dept of Arts and Sciences, Hunter College, CUNY, NY
1997 Guest Artist, Women and Minority Print Program, Ringling School, FL
1990 Fellowship, The Mac Dowell Colony, July/August
1989 Fellowship, National Endowment For the Arts, 1989/90
  Fellowship, New York Foundation For the Arts, 1989/90
  Fellowship, The Mac Dowell Colony, July/August 1989/90
1988 Painting Commission, Progressive Companies, Mayfield Heights, OH
1987 Grant, Ludwig Vogelstein Foundation
1978 CETA Grant, Costume Design, Albuquerque Dance Theatre, Albuquerque, NM
Professional ExperienceBack to Bio | Back to CV
2012-14 President, BAU Institute, Arts Residencies, NYC, Cassis, France, Otranto, Italy, http://www.bauinstitute.org
  Visiting Critic, Maryland Institute College of Art, Baltimore, MD
2010 Visiting Artist, Vermont Studio Center, Johnson, VT
  Curator, BAU Institute Print Portfolio 2010, http/www.bauinstitute.org/prints
  Guest Artist New Arts Alive, TV Broadcast, BCTV, Berks County, PA, DUTV-54, Philadelphia, Manhattan Neighborhood Network, channel 34/82, NYC
2003-12 Director, BAU Institute, Arts Residency, Otranto, Italy, http://www.bauinstitute.org
2001-12 Editor, American Abstract Artists Journal, http://www.americanabstractartists.org
2008 Math Studio, site-specific participation, Smith College and APE Space, Northhampton, MA
  Guest Artist New Arts Alive, TV Broadcast, BCTV, Berks County, PA, DUTV-54, Neighborhood Network, channel 34/82, NYC
1999 Panelist, CAA Conference, LA, Abstraction and Transcription: the Question of Touch, Buzz Spector, chair
  Editor, American Abstract Artists Journal, http://www.americanabstractartists.org
  Panelist, Lincoln Center Festival, Authenticity and the Peony Pavilion
1998 Chair, College Art Association (CAA) Conference Session: Off Color, Toronto, Canada
1996 Panelist, Abstraction/Meaning, Power Boothe Moderator, American Abstract Artists
  Panelist, Issues of Abstraction in the late 90's, Vito Giacolone moderator, Kean Coll, NJ
1991 Judge, Annual Awards, Painting/Sculpture/Photography/Graphics, Kingsborough Community College
1987 Visiting Artist/Presenter to Art Symposium, University of California, Santa Barbara, CA
1985 Draftsperson, Sol Lewitt wall drawing, John Weber Gallery, NY.
1983-84 Co-founder and curator, Directions on Broadway Installation Space, 452 Broadway, NY
1982 Draftsperson, Sol Lewitt wall drawings, John Weber Gallery, Paula Cooper Gallery, NY
  Visiting Artist, Whitaker Foundation, Palermo, Italy, (one month residency)
1981 Draftsperson, Sol Lewitt wall drawing retrospective, Wadsworth Atheneum, Hartford, CT
BibliographyBack to Bio | Back to CV
2014 Exhibition catalog, Girl Band: Linear Abstract Painting, Muhlenberg College, Martin Art Gallery, Allentown, PA, essay by Stephanie Buhmann.
2013 Exhibition catalog, 75th Anniversary, AAA Print Portfolio, Ewing Gallery, University of Tennessee, Knoxville, essay by Robert Storr,
  Exhibition brochure, Physical Property, Brian Morris Gallery, NY
2010 Exhibition catalog, Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Johnson Museum, Cornell University, Ithaca, NY
  Wylie Schwartz, A Slice of Splendor, Johnson Museum showcases American Abstract Artists,
2009 Longari, Elisabetta and Wei, Lilly, Corso Ricorso: Marthe Keller's Recent Painting, catalogue.
2008 Amy, Eshoo, editor. 560 Broadway: A New York Drawing Collection at Work, 1991-2006 © Fifth Floor Foundation, 2008. Yale University, pub.
2007 MacNair, Andrew, ZAPP Urbanism, Interview with the artist on Collapse of the Stuttering Hand
  Yassin, Aaron, The Material Sign, review, www.artcritical.com, David Cohen, editor
2006 -Pozzi, Lucio, "AAA: Il tizzone si e raffreddato", Il Giornale del Arte, August, page 26
  Keller, Marthe, "Anti-Working Notes", On Edge: AAA Journal, pg 59 v.5
2003 Keller, Marthe, contributor, Readymade Color, La Couleur Importee, Galerie Jordan Devarrieux, Paris, editors, Kerlidou, Louaver, Perrot, Briand-Picard, © Positions, 2002
2000 Keller, Marthe, essay, Further Desistance, I'm Late, I'm Late!, American Abstract Artists Journal #4
1999 Naves, Mario, review, Martha Keller, New Art Examiner, March
1998 -Melville, Stephen, catalogue essay, Rosenberg+Kaufman Fine Art, publisher
  Johnson, Ken, Art Guide, New York Times, Oct 30, Martha Keller
  Wilkinson, Jeanne C., Review Magazine, Nov 1, Martha Keller, Desistance
1997 Bell, Tiffany, review, Martha Keller, Art In America, September
1996 Keller, Martha, "Abstract/Meaning, notes for/from the panel", American Abstract Artists Journal #1
1995 MacAdam, Alfred, review, Basic Marks, ARTnews, March
1994 Longari, Elisabetta, review, Juliet n.69, Oct/Nov, 94, Milan
  Drake, Nicholas, review, Charleston Post and Courier, Sept.25
  Zimmer, William, review, New York Times, NJ, Aug.28, "Geometric Abstraction's Varied Moods"
  Ferrario, Rachele, review Martha Keller, Flash Art, Italian Edition Summer - Turner, Paige, "Void and Stroke", Halsey Gallery brochure essay, Sept
  Wilkinson, Jeanne C., "Bold Contradiction of Minimalism", Cover, April
  Wei, Lilly, review, Martha Keller, Art In America, March
  Gardner, Paul, "Who Are The Most Overrated and Underrated Artists?" ARTnews, Feb
1993 Westfall, Stephen, catalogue essay, "Both There and Here", Martha Keller Paintings
1992 Collovini, Diego, review, Tema Celeste, Italian Edition
1991 Perissinotto, Luciano, review, "Variazioni cromatiche nell'arte della Keller", Messaggero Veneto, June
  Centioni, Paolo, review, "Martha Keller, Plurima, Udine", Flash Art, Italian Edition, Summer
1988 Masheck, Joseph, catalogue essay, "Formal", Dart Gallery, Chicago, IL
  Westfall, Stephen, review, Martha Keller, Art in America, March
  Heartney, Eleanor, review, Martha Keller, ARTnews, February
1987 Lieb, Vered, review, "One and One: A study of Scale", Arts Magazine, February
1986 Westfall, Stephen, review, Martha Keller, Arts Magazine, May
  "Views & Reviews", Attenzione, Sept./Oct.
1984 Zimmer, William, catalogue essay, "Small Works: New Abstract Painting", Williams Center For The Arts, Lafayette College & Muhlenburg College, Allentown, PA.
1982 Stuckey, Charles F., catalogue essay, "Martha Keller, Systems For Visions", Fondazione Whitaker, PA., Italy
  Nickles, Joan, "Breaking Traditions at Palermo's Whitaker", The Arts, Rome Daily American, June 4, Rome
  La Monica, Giuseppe, "Segni Umani Nello Spazio", L'Ora, 6/ 12, PA, Italy - "I Grandi Spazi Americani", Giornale di Sicilia, 6/ 11, PA, Italy
EducationBack to Bio | Back to CV
2013 Queens College, City University of New York, NY, MFA
1972-73 George Washington University, Art Therapy, MA Program
1969-71 Maryland Institute, College of Art, Painting, BFA
1966-69 Boston University, School of Fine Arts
1968 Temple University, Tyler School of Art, Rome, Italy
1964-66 St. Stephen's School, Rome, Italy
1961-64 Overseas School of Rome, Rome, Italy
TeachingBack to Bio | Back to CV
2010-14 Assistant Professor Adjunct, Art LA101, Advanced Drawing, Begininng Painting, Hunter College, CUNY
2007/08/09 Asst. Prof, Adj, Painting ART336 and 235, Art LA101, Hunter College, CUNY
  BAU Workshops, Baryshnikov Center, NY, NY, "Painters Call On Painters" advanced seminar
2006 Asst. Prof, Adj, Basic Drawing. Advanced Painting Techniques & Concepts, ART360, Hunter College, CUNY
2004/05 Asst. Prof, Adj, Advanced Drawing and Art 101, Hunter College, CUNY
2004 Visiting Artist/Painting Instructor, Summer Workshop (City College), Otranto, Italy (July)
  Assistant Professor, Adj., Advanced Drawing and Art 101, Hunter College, CUNY
2003 Assistant Professor, Adj., Basic Drawing and Art 101, Hunter College, CUNY
2002 Assistant Professor, Adj., Advanced and Beginning Painting and Art 101, Hunter College, CUNY
2001 MFA Seminar, Art and Art History Department, University of Connecticut, Storrs, CT (Fall Semester)
  Visiting Artist, Junior Year Abroad, Maryland Institute, Aix en Provence, France
  Assistant Professor, Adj., Advanced and Beginning Painting, Art 101, Hunter College, CUNY
2000 Visiting Artist, Advanced Painting, Painting in Two Directions, Maryland Institute, Baltimore, MD
  Assistant Professor, Adj., Advanced Drawing and Art 101, Hunter College, CUNY
1999 MFA Seminar, Art and Art History Department, University of Conn, Storrs, CT
  Assistant Professor, Adj., Drawing I, Hunter College, CUNY
  Artist/Teacher, MFA Program, Vermont College
1998-99 Lecturer, Beginning Painting, Princeton University, Princeton, NJ
  Lecture, "Off Color", California College of Arts and Crafts, Oakland, CA - Assistant Professor, Adj., Art 101, Hunter College, CUNY
  Instructor, Painting Seminar, The New School/ Parsons, NY
1997 Artist/Teacher, MFA Program, Vermont College
  Visiting Artist, Ringling School of Art, Sarasota, FL
1996/97 Assistant Professor, Adj., Drawing I and Art 101, Hunter College, CUNY
  Instructor, Intermediate Painting, Basic Drawing, The New School/ Parsons, NY
1996 Visiting Artist, Graduate Seminar, Advanced Painting, Ohio State University, Columbus, OH - Instructor, Basic Painting, Rhode Island School of Design, (winter session)
1995 Instructor, Adj., Painting I, II, Kingsborough Community College, Brooklyn, NY
  Instructor, Painting and Drawing Studio, The New School for Social Research, NY
  Instructor, Multi-Level Painting, School of the Art Institute of Chicago, Oxbow, (summer), MI - Instructor, Beginning Drawing, The New School for Social Research, NY (summer)
  Visiting Artist, Advanced Painting, Sculpture and Multi-media, Parsons School of Design, NY
1994 Visiting Artist, Painting, Temple University, Tyler School of Art, Rome, Italy
  Instructor, Painting and Drawing, ACT, School of the Cathedral of St. John the Divine, NY (summer) - Instructor, Adj., Painting I, Kingsborough Community College, Brooklyn, NY
1993 Guest Lecturer, Graduate Painting, Rhode Island School of Design, Providence, RI
  Instructor, Adj., Painting I, II, Western Art Survey, Kingsborough Comm. College, Brooklyn, NY - Instructor, Painting and Mixed Media, 53rd Street YWCA, NY
1992 Instructor, Drawing Marathon, New York Studio School of Painting, Drawing & Sculpture, NY
1991/92 Lecturer in Visual Arts, Intermediate Painting, Princeton University, Princeton, NJ
  Instructor, Multi-Level Painting, School of the Art Institute of Chicago, Oxbow, (summer), MI
  Guest Lecturer, Advanced Drawing Seminar, Sarah Lawrence College, Bronxville, NY
1990 Visiting Artist, Graduate & Advanced Painting, School of the Art Institute of Chicago, Chicago, IL
1989 Visiting Artist, Lecture, New York Studio School of Painting, Drawing & Sculpture, NY
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